teaching

English Literature (Taylor’s Version): Seminar 9

I had been looking forward to teaching this class for months. In some ways, it's the class that started it all: my concrete idea for English Literature (Taylor's Version) took shape when listening to 'The Great War' for the first time back in 2022, and noticing parallels with Sylvia Plath's poem 'Daddy' (you can read more about that here). It eventually grew into something bigger: a seminar that paired trauma studies with discussion of art as therapy, the connections between literature, love and war, and close reading of Geoffrey Chaucer's Troilus and Criseyde, John Donne's 'Love's War' and, of course, Plath's 'Daddy'. We also discussed Holocaust literature, the disturbing trend for '...of Auschwitz' titles in modern publishing, and what it means to use art to talk about trauma. It was, perhaps, the most meaningful seminar of all those I've taught, and sparked perhaps the most important conversations. [Click above image to read more]

Essay

Argylle and the Author function

The end of this month will see the release of the film Argylle, directed and produced by Matthew Vaughn. It’s a spy thriller based on a debut novel by American author Elly Conway. So far, so normal. However, when you find out that the film rights were purchased by Apple in 2021 for $200 million, years before the novel was even released, and that there are no pictures of, or interviews with, Elly Conway available online, despite her instagram account having over 40,000 followers, things start to look a little strange. As anyone who knows anything about publishing will tell you, Apple do not pay millions of dollars for the film rights to as-yet-unpublished debut novels by nobodies, and if you want to publish any book these days, good luck to you if you’re not willing to take every chance for self-promotion that you can, including plastering your face all over social media. Who the hell, then, is Elly Conway?