Now that the glitter has settled on The Life of a Showgirl’s release, and I’ve spent enough time on Reddit fan forums and the comments section of Instagram to feel that I’ve gained both a comprehensive overview of audience reactions and a deep, visceral need to go outside and touch some grass, I wanted to… Continue reading Is it ‘Actually Romantic’ to renounce one’s feminism?
Tag: feminism
Swifterature: the book. Coming 4 November
You can find countless articles online – and a few books by now, too – listing all the literary allusions in Taylor Swift’s work, many of which I've also documented on this blog. Beyond suggesting that Swift is familiar with some English literary classics, though, these lists don’t really tell us much at all. When… Continue reading Swifterature: the book. Coming 4 November
On being, and not being, The Man: modern-day vindications of gender rights
As preparation for one of our seminars in English Literature (Taylor's Version) — in which we look at connections between writing, gender, and power, focusing on Taylor Swift's 'The Man', 'mad woman', 'Dear John', 'Hits Different', and 'the last great american dynasty' — I ask students to write a modern-day version of 'A Vindication of… Continue reading On being, and not being, The Man: modern-day vindications of gender rights
The Psychgeist of Pop Culture: Taylor Swift
Published just in time for Taylor Swift's 35th birthday, The Psychgeist of Pop Culture: Taylor Swift is a collection of thirteen essays that discuss Swift's self-fashioning, musical storytelling, and importance to pop culture in the 21st century. My own chapter, 'We won't be sleeping: insomnia and the feminist antiheroism of Taylor Swift' , explores sleeping,… Continue reading The Psychgeist of Pop Culture: Taylor Swift
What about Wendy? Adaptation, interrogation, and turning on the light
When Swift’s speaker sings in ‘cardigan’ that the object of the song ‘tried to change the ending, Peter losing Wendy’, she encourages us to go back and take a closer look at a story that may have been a staple of our childhoods. The line is deeply ambiguous, and has always puzzled me. It’s unclear whether he tried to change the (happy) ending, making it so that Peter instead lost Wendy; whether he tried and failed to change the (unhappy) ending of Peter losing Wendy; whether he tried to change the (unhappy) ending, but Peter lost Wendy anyway. Is Peter losing Wendy the result of his actions, or the fate he tried to change? [Click above image to read on.]
The History Of Man: A Brief Analysis
For her creative assignment in English Literature (Taylor's Version), one of my students investigated all the literary references in Maisie Peters' 'The History Of Man'. To celebrate Maisie supporting Taylor at the Eras tour tonight, please enjoy this brief dive into Maisie's beautiful lyricism! Click the link below to see the full video! https://www.tiktok.com/@swifterature1989/video/7404962885304208672
Is Taylor Swift a poet? Yes. Is that the wrong question to ask? Also yes
With less than 24 hours to go before perhaps the biggest release in music history - Taylor Swift's hotly-anticipated eleventh album, The Tortured Poets Department, already downloaded over 200 million times after being leaked the day before the official launch - the requests have started to roll into my inbox from journalists, all asking a variation on the same question: does this mean that Taylor Swift is, like...a poet? An actual...poet? [Click above image to read more]
Why do we need feminism? Thoughts from English Literature (Taylor’s Version)
As part of our session on feminism, writing and power, we looked at Mary Wollstonecraft's seminal 'Vindication of the Rights of Woman', a 1792 treatise that argued for the importance of women's education during a period where it was habitually denied. Expected to be little more than delicate parlour ornaments, women were not seen as worthy recipients of the kind of education offered to men - a state of affairs which Wollstonecraft laments, while pointing out its idiocy (surely men would prefer a wife with whom they can hold a conversation). As a thought experiment, I asked my students: 'If you could write a modern-day "Vindication of the Rights of Woman", what feminist - or gender-related - issue would you focus on, and why?' Here are some of the responses - you can also see a word cloud of the most frequently used terms above. Click on it to read more.
English Literature (Taylor’s Version): Seminar 8
In Seminar 8 of English Literature (Taylor's Version), titled 'Haters Gonna Hate: The Unlikeable Protagonist', we looked at the antihero, or deliberately unlikeable protagonist, in literature and culture. We tried to answer the question: what does it mean for Swift to self-identify as an antihero, in the twenty-first century? In order to do this, we looked at groundbreaking incarnations of the antihero in William Makepeace Thackeray’s Vanity Fair (1848) - subtitled 'A novel without a hero' - and Charlotte Bronte’s Villette (1853). [Click above image to read more]
English Literature (Taylor’s Version): Seminar 4
In Seminar 4 of English Literature (Taylor's Version), we looked at the relationship between writing, gender and power, asking what Taylor Swift can teach us about literary feminism. We listened to 'Right Where You Left Me', 'Dear John', 'Mad Woman', 'Hits Different' and 'The Man', asking: What construction(s) of femininity do we see in the song? What is the relationship between writing and power? Are there any literary allusions? Is this a 'feminist' song? if so, why? If not, why not? We used this discussion - also bringing in Swift's re-recording of her masters, seen by many as a feminist act - to segue into two important feminist literary texts: Mary Wollstonecraft's 'Vindication of the Rights of Woman' (1792) and Charlotte Perkins Gilman's The Yellow Wallpaper (1892). [Click above image to read more]
Swifterature 